#5904977 - 08/06/1201:31 PMPresentation is everything.
[Re: Greedo]
Saint DoyleSaint Doyle
Collector is an understatement.
Registered: 08/07/09
Posts: 112
Loc: Norman, OK
I recently got my coup de gras, the cover artwork to Madman Adventures #1 by Mike Allred, re-matted. I had originally gone to Hobby Lobby, and picked out what I thought was the best mat available given their options. After bringing it home I immediately noticed the contrast between the original gleaming white mat and the cream color of the aged artwork. I let this bug me for a few years before deciding it was worth the extra $$$ to get it done properly. This time I went to Michaels and am much, much happier with the result. Presentation is everything.
Side by side comparison of original mat vs. new mat
Here's a bigger view of the final result
I have to give kudos to everyone who has posted pics in this thread, which has really inspired me more than anything else to experiment with mats and frames. There are some really great looking pieces presented incredibly well in this thread.
#5905280 - 08/06/1203:33 PMRe: Presentation is everything.
[Re: Imodium]
Saint DoyleSaint Doyle
Collector is an understatement.
Registered: 08/07/09
Posts: 112
Loc: Norman, OK
Originally Posted By: Imodium
Do you guys place your art in a mylar type sleeve before its placed in the frame?
I've never heard of putting your art in a mylar inside the frame... I would think that might negate the effects of buying the super-clear museum glass.
I get my art framed at Michael's. They offer a "preservation package" for about $25 where they mount the artwork to the interior of the mat by special holders that stick to the mat, not your artwork. It's hard to explain without a picture (which I can't seem to find an example of online), but it's supposed to be much better for the art than using tape. They also seal up the back of the frame with paper.
Hobby Lobby doesn't offer any of these services that I'm aware of. On top of that, you have to specify that you want acid-free mats and backers with them. Then you have to special order it (because they don't keep the "fancy" stuff that should be standard stuff in stock) and wait for 2-3 weeks.
#5905748 - 08/06/1206:20 PMRe: Presentation is everything.
[Re: Saint Doyle]
westformwestform
The Post-man always rings twice. Uhm... ring ring?
Registered: 08/11/05
Posts: 1556
It must depend on the Hobby Lobby. My local one usually stocks good mats and has all the acid free boards in stock. Also, their default is conservation clear glass. Also, they will frame the item while I watch and wait. The lady I use there always puts paper on the back. Takes some time as they field questions and calls, but I feel safer that way. And, my Hobby Lobby is about half the price of Michaels which is important as I frame alot.
#5907475 - 08/07/1211:08 AMRe: Presentation is everything.
[Re: westform]
Saint DoyleSaint Doyle
Collector is an understatement.
Registered: 08/07/09
Posts: 112
Loc: Norman, OK
The differences between Michael's and Hobby Lobby may be a completely localized thing. I have found prices pretty comparable between the two, as long as you hit a 1/2 price sale (which they both have every other week). My local Hobby Lobby was employed by a continual string of *spoon* and half-wits, so I was relieved to find competent people, equivalent prices and overall superior service at the Michael's across town. It sealed the deal when I learned about the strong ties between Hobby Lobby and a certain political party which I am not in favor of.
Same here...looking at getting most my art framed but after seeing the price of getting museum glass (ouch) big price jump....
Do you guys place your art in a mylar type sleeve before its placed in the frame?
I have only used the mylar sleeve to transport the art from the convention to home to where I take it to get it framed; which the last two times has been to Michael's.
I use to use Garden Ridge; until they stopped doing custom framing; and have since used Michael's. They have provided me with good customer service and pricing even using the museum glass.
How do you preserve the integrity of your OA...I just keep mine in a artist folder type thing...but I have a mix of OA and size...some done in pencil others in paint. I would love to preserve it until I raise some funds to properly get them framed. And Ideas or suggestions...
How do you preserve the integrity of your OA...I just keep mine in a artist folder type thing...but I have a mix of OA and size...some done in pencil others in paint. I would love to preserve it until I raise some funds to properly get them framed. And Ideas or suggestions...
Quite honestly I don't buy unless I can have the piece framed immediately. Leaving it out in the cold just doesn't work for me. This is my opinion.
Dan
_________________________
We should show life neither as it is, nor as it should be, but as we see it in our dreams - Anton Chekhov
#6002074 - 09/13/1205:19 PMRe: Presentation is everything.
[Re: Dano]
TokayTokay
If I just sell the car, I can up my bid...
Registered: 12/11/11
Posts: 181
I just got a painting (only thing in my CAF gallery). It's very black and has a lot of texture (painted over pumice), especially on the edges. I wan't going to frame it but I can already tell that the highly textured surface will attract dust, so I now think I need to put it under glass. I'm a novice at this...any suggestions? WHat kind of frame for a painting with so much black? Thanks in advance!
I just got a painting (only thing in my CAF gallery). It's very black and has a lot of texture (painted over pumice), especially on the edges. I wan't going to frame it but I can already tell that the highly textured surface will attract dust, so I now think I need to put it under glass. I'm a novice at this...any suggestions? WHat kind of frame for a painting with so much black? Thanks in advance!
Did you buy directly from James? If I were you I'd ask the artist how best to frame it.
I have to say I'm not a big fan of putting oils under glass.
